Dimensions: 61 x 61 cm
signed, dated and inscribed on the reverse: 'Francis R. Hewitt | "SHEELER'S FACADE" | 24" x 24" ACRYLIC ON CANVAS | NOVEMBER 1964 | AMSTERDAM'.
Origins
purchased directly from the artist
private collection, USA
D. Wigmore Fine Art, Inc Gallery, New York
Exhibited
Black/White and Gray Paintings 24 Square, Anonima Gallery, New York, 1966
Institute of Contemporary Arts, London, 1966
Black/White and Gray Paintings, Foksal Gallery, Warsaw, 1966.
Literature
Black and White and Gray Paintings, catalog of the exhibition of the Anonima Group (Ernst Benkert, Francis; Hewitt, Edwin Mieczkowski), Foksal Gallery, Warsaw 1966, p. nlb (ill.), (list of works exhibited, Francis Hewitt, item 4).
Biography
The artist received his higher education at the Carnegie Institute of Technology in Pittsburgh in 1954-58. He took classes in the lithographic studio, where Ed Mieczkowski was his assistant, and they were united by their love of drawing. In 1960, together with Ernst Benkert, they formed the artist collective Anonima Group. He continued his education at Oberlin College, where he took a course in the history of color in Charles Parkhurst's class, which had a significant impact on his later work. Between 1960 and 1964, he and Mieczkowski took a course in technical drawing at the Cleveland Institute of Art, while also undertaking studies in aesthetics and the psychology of perception. In the second half of the 1960s, he traveled extensively in Europe, visiting Paris, Warsaw, Krakow and Zagreb, among others. One of his paintings was included in a famous op-art exhibition - "The Responsive Eye" at MoMA in 1965. After returning to New York, he continued to work with the Anonima Group and took up a research position at Pratt Institute. In the early 1970s, he moved to Vermont, where he taught at the university there until 1992. That same year, a monumental retrospective exhibition of his work was held at the Robert Hull Fleming Museum in Vermont three months after his death. Hewitt's works are in the collections of the Cleveland Museum of Art, the Museum of Modern Art in Caracas and the Museum of Art in Lodz, among others. In 1966, works by artists from the Anonima Group were exhibited at Warsaw's Foksal Gallery in an exhibition titled "Black, White and Gray Paintings." Presenting such radical exhibitions in communist Poland, the Foksal Gallery was considered one of the most important venues for avant-garde art in the world.
