Etching, color aquatint. Dimensions: 50 × 65 cm, paper: 57 x 76 cm.
Author's edition, signed p.d.: E/A, Stanislaw Wejman 1979.
The work is in the collection of the National Museum in Cracow (last photo) at the permanent exhibition: Polish Art of the 20th and 21st Centuries.
Stanislaw Wejman(b. 1944). Studied at the Faculty of Painting and Graphics of the Academy of Fine Arts in Cracow from 1962 to 1968, initially painting in the studio of Hanna Rudzka-Cybis, then graphics[1]. He received his diploma in 1968 in the Copperplate Studio under the direction of Professor Mieczyslaw Wejman[2]. In the same year he became an employee of his alma mater. In 1994 he was awarded the title of Professor of Fine Arts.
In 1984-1985 he worked as a visiting professor in the USA, and in 1990 in Canada. He taught printmaking at art colleges in Antwerp, Maastricht, Montreal, Storrs, Urbino, among others. His students included Joanna Kaiser-Plaskowska, Krzysztof Tomalski and Dariusz Vasina.
Participant in several hundred individual and collective exhibitions, including the International Graphics Triennial in Cracow.
Winner of, among others, the Funded Prize of the 8th National Graphic Art Exhibition in Warsaw in 1978, a distinction in the competition of the Polish Society of Book Publishers in 2004, an individual award of the Minister of Culture and National Heritage in 2005.
Awarded the Officer's Cross of the Order of Polonia Restituta (2013)[4] and the Bronze Medal "Meritorious to Culture Gloria Artis" (2011).
Husband of Anna Sobol-Wejman, graphic designer and painter. Son of Mieczyslaw Wejman, graphic designer and professor at the Academy of Fine Arts in Krakow
