color woodcut, ink on paper, 26x40 cm, signed by the artist; in the margin, the publisher’s seal and the artisans’ marks: carved by Hotta, printed by Hamashige
A winter scene depicting several people strolling at night along the Sumida River embankment. Snow is falling gently, and snow-covered pine trees surround the dark blue water. A beautiful, serene design with delicate shading of the water and sky.
This classic design was reproduced by the renowned Tokyo publisher Oedo Mokuhansha during a period of renewed interest in ukiyo-e (the second half of the 20th century). Like many other traditional businesses, the craft of woodblock printing was passed down from generation to generation, and Oedo Mokuhansha was founded by the descendants of an Edo-period publisher. These are beautiful prints of the highest quality and an excellent choice for those seeking high-quality reprints of old woodblock prints.
Hiroshige Andō, also known as Hiroshige Utagawa, is one of Japan’s most famous painters and printmakers. His father, Andō Genuemon, was a low-ranking samurai and an officer in the fire brigade. From the age of sixteen, Hiroshige trained in the studio of Utagawa Toyohira, under whose guidance he developed his skills and talent. The young Hiroshige soaked up the artistic atmosphere while also helping out with the day-to-day operations of his father’s fire brigade. It wasn’t until he was 27 that he decided to devote himself entirely to a career in the arts. After his teacher’s death in 1822, he was offered the chance to take over his master’s studio, but Hiroshige declined the offer and chose to work independently. Hiroshige’s artistic output has not yet been fully cataloged, but it is estimated that he produced approximately 5,000 works, primarily in the technique of color woodblock printing. He began his career with portraits of beautiful women (bijin-ga) and images of kabuki actors (yakusha-e), but after his teacher’s death, he focused primarily on native landscapes. Hiroshige came from a samurai family, yet he identified with Edo’s bourgeois culture. He became famous primarily as the creator of landscape series such as: Fifty-Three Stations on the Tōkaidō Road (Tōkaidō gojūsan tsugi no uchi), One Hundred Famous Views of Edo (Meisho Edo hyakkei), and Sixty-Nine Stations on the Kisokaidō Road (Kisokaidō rokujūkyū tsugi no uchi). He masterfully depicted landscapes at various times of the year and day, and was fascinated by weather phenomena. He experimented with effects and composition, employing unconventional foreshortening. A distinctive feature of his work is his depiction of atmospheric phenomena such as snowfall, rain, gales, and storms. He was also fascinated by the phenomenon of shadow and its effects, both in landscapes and in domestic interiors.
